{"title":"Blackmagic Design","description":"","products":[{"product_id":"blackmagic-design-v-mount-battery-plate-for-ursa","title":"Blackmagic Design V-Mount Battery Plate for URSA","description":"\u003cp\u003eThis \u003cstrong\u003eV-Mount Battery Plate\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e allows you to attach third party V-Mount batteries to your URSA camera. 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This portable unit captures up to DCI 4K60 4:2:2 via single-link 12G-SDI or up to DCI 4K30 4:2:2 video via HDMI. Record 12-bit High Dynamic Range (HDR) footage at rates up to DCI 4K30 and 8-\/10-bit video at rates up to DCI 4K60.\u003c\/p\u003e\u003cp\u003eA built-in LCD screen enables you to monitor your signal, and an SD card reader provides instant access to your SD media. The compact UltraStudio 4K Mini's Thunderbolt 3 interface offers lightning-fast connections and will trickle-charge a connected computer. Audio features include 16-channel SDI and 8-channel HDMI embedded input and output, a 3-pin XLR audio input, and a headphone output.\u003c\/p\u003e\u003cp\u003eThe UltraStudio Mini 4K Thunderbolt 3 supports both compressed and uncompressed video, is Window, Mac, and Linux compatible, and supports most popular codecs. The UltraStudio 4K Mini also supports 3D capture and playback via HDMI, plus 3D SDI playback at rates up to DCI 4K30. 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Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.\u003c\/p\u003e\u003cp\u003eRecord using the internal CFast 2.0 and SD\/UHS-II card slots or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5 inch touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.\u003c\/p\u003e\u003cp\u003eAudio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4\/3 inch Image Sensor \/ Dual Native ISO\u003c\/strong\u003e\u003cbr\u003eThe Pocket Cinema Camera 4K uses a 4\/3 inch sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eActive Micro Four Thirds Lens Mount\u003c\/strong\u003e\u003cbr\u003eUse lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlackmagic Raw and ProRes Options\u003c\/strong\u003e\u003cbr\u003eChoose from Blackmagic Raw and ProRes 422 files options depending on your project's needs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003cbr\u003e4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e5 inch Touchscreen Display\u003c\/strong\u003e\u003cbr\u003eA large 5 inch touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFast 2.0, SD\/UHS-II, and USB Type-C Capture\u003c\/strong\u003e\u003cbr\u003eInternally record to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible Power Options\u003c\/strong\u003e\u003cbr\u003eThe Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDaVinci Resolve Studio\u003c\/strong\u003e\u003cbr\u003eAn activation key for DaVinci Resolve Studio is included with the camera.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578748760341,"sku":"CINECAMPOCHDMFT4K","price":1625.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/cinecampochdmft4.jpg?v=1680224541"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-digital-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"\u003cp\u003eUpping the electronics and recording capabilities of its Mini Pro predecessor, the \u003cstrong\u003eBlackmagic Design's URSA Mini Pro 4.6K G2 Digital Cinema Camera\u003c\/strong\u003e brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality.\u003c\/p\u003e\u003cp\u003eFirst, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow\/fast motion, or engage focus assist or other functions. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction.\u003c\/p\u003e\u003cp\u003eBehind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The G2 introduces a USB-C expansion port so you can record directly to external drives. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance.\u003c\/p\u003e\u003cp\u003eAt the heart of the camera is Blackmagic Design's acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting.\u003c\/p\u003e\u003cp\u003eLike the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. The raw files preserve the full dynamic range and colour tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.\u003c\/p\u003e\u003cp\u003eIf raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the \"Film\" dynamic range for a flatter image for grading in post-production, or \"Video\" dynamic range for a finished look right out of the camera. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations).\u003c\/p\u003e\u003cp\u003eSince the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNew G2 Model Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUpdated Super 35 4.6K image sensor\u003c\/li\u003e\n\u003cli\u003e4608 x 2592 with 15 stops of dynamic range at 3200 ISO\u003c\/li\u003e\n\u003cli\u003e4.6K images at up to 120 frames per second\u003c\/li\u003e\n\u003cli\u003eWindowed 4K DCI at up to 150 frames per second\u003c\/li\u003e\n\u003cli\u003eWindowed 1080 HD at 300 frames per second\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW images in both film and extended video modes\u003c\/li\u003e\n\u003cli\u003eRaw compression levels up to 12:1\u003c\/li\u003e\n\u003cli\u003eUSB-C expansion port for recording to external drives\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003cbr\u003eThe URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the colour science of the URSA Mini Pro G2 to maintain consistent image quality with minimal colour shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExternal Control Section\u003c\/strong\u003e\u003cbr\u003eUsing a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so you'll be able to adjust camera settings, apply ND filters, and change frame rates without having to look at the buttons, dive into on-screen menus, or take the camera off your shoulder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser-Interchangeable Lens Mounts\u003c\/strong\u003e\u003cbr\u003eBy default, the URSA Mini Pro G2 includes an interchangeable EF mount. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG\/EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilised.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExternal LCD Status Display\u003c\/strong\u003e\u003cbr\u003eThe status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvanced Image Processing\u003c\/strong\u003e\u003cbr\u003eThe URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Colour Science for superior imaging that results in extremely accurate skin tones and lifelike colours that rival those of cameras costing tens of thousands of dollars more. Blackmagic RAW images are encoded using a custom nonlinear 12-bit space designed to provide the maximum amount of colour data and dynamic range. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFast 2.0 and SD Media Support\u003c\/strong\u003e\u003cbr\u003eTwo of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot are available, you can keep recording, regardless of format choice.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact Handheld Design\u003c\/strong\u003e\u003cbr\u003eSizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro G2 still fits essential controls and I\/O for professional workflows.\u003c\/p\u003e\u003cp\u003eThe body is made from magnesium alloys to keep the URSA Mini Pro G2 lightweight at just over five pounds. With the optional shoulder mount and optional side handgrip, the handgrip can be extended off the side of the camera to be used in a doc-style configuration.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4.6K Super 35 Sensor\u003c\/strong\u003e\u003cbr\u003eWith an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.\u003c\/p\u003e\u003cp\u003eThe URSA Mini Pro G2 can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro G2 can also record slow-motion footage at up to 300 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro G2 will conform captured footage to the set standard frame rate, resulting in smooth footage that doesn't require post-processing before editing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTouchscreen Control\u003c\/strong\u003e\u003cbr\u003eIn addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro G2 features a fold-out 4 inch capacitive touchscreen LCD monitor. 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The 12G-SDI output handles up to 2160p60 using a single BNC cable and switches to 6G-SDI or HD-SDI depending on the shooting format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eQuality Sound Recording\u003c\/strong\u003e\u003cbr\u003eWith high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. 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Integrated into the shoulder mount are a quick-release compatible with VCT wedge plates, 15mm lightweight rod clamps, and rosettes on either side for mounting handles and other accessories. Also included in the kit is a top handle for low-mode shooting and for carrying the camera when not in use.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578749415701,"sku":"CINEURSASHMKM","price":625.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/cineursashmkm.jpg?v=1680224560"},{"product_id":"blackmagic-design-hdmi-to-sdi-6g-mini-converter","title":"Blackmagic Design HDMI To SDI 6G Mini Converter","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HDMI to SDI 6G Mini Converter\u003c\/strong\u003e converts HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to DCI 4K (4096 x 2160) at 24p and UHD 4K (3840 x 2160) up to 30p. This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post-production, and professional AV applications.\u003c\/p\u003e\u003cp\u003eUsing 4K HDMI and 6G-SDI technologies, the Mini Converter automatically detects the input video format and instantly changes between SD, HD, and UHD\/DCI 4K formats. The two 6G-SDI outputs also support SD and HD-SDI signals for integration into existing workflows. Both 6G-SDI outputs send duplicate signals. Audio is embedded in the SDI output from either the HDMI input or from the two 1\/4 inch input jacks which support four channels of AES\/EBU digital audio or two channels of analog audio.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Mini Converter's settings are controlled using the built-in switches or via USB using the control software for Max OS X or Windows computers, which can be downloaded on Blackmagic Design's website. 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Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilise as your broadcast sources.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. 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The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness, a Pro EVF option, built-in clear\/2\/4\/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.\u003c\/p\u003e\r\n\u003cp\u003eWith only a slightly larger form factor than the 6L, the 6K Pro records the same resolutions up to 50 fps 6144 x 3456 video, and it retains the valuable active Canon EF mount, letting users take advantage of the expansive array of EF\/EF-S mount lenses available. 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Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.\u003c\/p\u003e\r\n\u003cp\u003eThe compact 6K Pro retains the familiar controls and menu layout of the 6K model, such as ISO support up to 25,600, 13 stops of dynamic range, and 1920 x 1080 HDR monitor output. Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.\u003c\/p\u003e\r\n\u003cp\u003eAdditional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the 6K Pro internal timecode generator (accessed via the 3.5mm audio port). 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It is a portable control surface suitable for those that need to switch between editing and colour grading. It can sit on your desktop, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary colour-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003c\/p\u003e\r\n\u003cp\u003eHowever, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customisable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and an Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. 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Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003cbr\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e\u003cbr\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e\u003cbr\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\u003cbr\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In Timecode and Sync Generators\u003c\/strong\u003e\u003cbr\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic OS\u003c\/strong\u003e\u003cbr\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In Redundancy Keeps You on Air\u003c\/strong\u003e\u003cbr\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDesigned for Both Portable or Rack Mount Use\u003c\/strong\u003e\u003cbr\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5\" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. 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There is also an SDI loop output for monitoring the original feed and sending it to a switcher or router.\u003c\/p\u003e\r\n\u003cp\u003eThe compact form factor allows you to fit it right into your broadcast setup, and it is compatible with optional rack shelfs in case you want to install it in a 1 RU rack. Its dual AC\/DC redundant power input is handy in case you lose mains power and you can utilize the 4-pin XLR input for DC power. The Web Presenter 4K is also compatible with the Blackmagic ATEM Streaming Bridge to decode the streams back into HDMI or SDI signals for additional routing options.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInput any SDI Signal\u003c\/strong\u003e\u003cbr\u003eThe Web Presenter allows you to input any 12G\/6G\/3G\/HD-SDI video source up to UHD 4K.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e4K Output\u003c\/strong\u003e\u003cbr\u003eThe program and USB Type-C outputs supports UHD 4K video. The unit will downconvert 4K video if you are streaming in HD. When streaming 4K, it will pass 4K video as well as upscale HD to 4K video.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLive Streaming Options\u003c\/strong\u003e\u003cbr\u003eYou can stream H.264 video via RTMP streaming protocols to the internet via Ethernet or tether a 5G or 4G phone to use mobile data.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUSB Source as Webcam\u003c\/strong\u003e\u003cbr\u003eThe built-in USB Type-C input works like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. 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The monitor also features two balanced 3-pin mini-XLR inputs with 48V phantom power support for crisp audio recording. You can monitor and record HDR video up to DCI 4K, UHD 4K, 2K, or HD 10-bit 4:2:2 and up to 16 channels of embedded 24-bit 48 kHz audio.\u003c\/p\u003e\r\n\u003cp\u003eThe Video Assist records using dual high-speed UHS-II SD slots to SDHC\/XC memory cards. You can also use the USB 3.1 Gen 1 Type-C port to record to an external drive, as well as use it for configuring and upgrading the monitor. Video is recorded using industry-standard Apple ProRes (HQ, 422, LT, or Proxy) and Avid DNxHD and DNxHR codecs.\u003c\/p\u003e\r\n\u003cp\u003eThe monitor's touchscreen interface allows you to adjust settings and access monitoring features such as histogram, waveform, RGB parade, vectorscope, and many more scopes and exposure tools. There is also a tally light on top of the monitor to indicate that it is operating and recording. 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For example, you can control the position within a clip with the right hand while setting in and out points and applying edits with the left. Based on feedback from professionals, the Resolve Editor Keyboard even has subtle design features such as empty space above certain keys, so they can be located by touch. It plugs into a USB Type-C port and works without any batteries. The keyboard can be used on a desktop or inset into a console via a flange. DaVinci Resolve software is included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features\u003cbr\u003e\u003cbr\u003eMetal Design with Premium Keys\u003c\/strong\u003e\u003cbr\u003eThe all-metal design includes keys with a tiered profile, instead of flat keys, so it's easy to feel your way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows for very precise transport and trimming control. There's also a handrest with a soft feel to help reduce fatigue. Plus, the keys caps, handrest, and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Search Dial Control\u003c\/strong\u003e\u003cbr\u003eThe metal search dial features rubber coating and is designed with multiple roller bearings that allow for smooth operation. There's an integrated electronic clutch that creates end stops when used for shuttle and position. The dial can also be spun in jog mode to allow a natural timeline scroll. The jog control allows free movement for precise positioning of the playback point. Shuttle uses the clutch, and you can rotate forward and reverse wind to move up and down the timeline. Scroll allows scrolling up and down a long edit to navigate quickly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast Source Tape Allows Scrolling Clips\u003c\/strong\u003e\u003cbr\u003eThe innovative source button instantly creates a \"source tape\" of all the clips in your bin. Now you can simply scroll up and down all your media without the need to navigate thousands of clips. The clip being viewed is also highlighted in the bin in real time. Switching between the source tape and timeline is instant.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInstantly Re-Sort Bin and Source Tape\u003c\/strong\u003e\u003cbr\u003eThe source tape uses your bin's sort order, so you get lots of control over how shots are organised. This gives you the flexibility to find shots by time, camera, duration, or even clip name. The moment one of the bin sort buttons is selected, the source tape will be regenerated in that bin's sort order. Simply scroll up and down the source tape to find the shots needed. Sort by timecode to see all the bin media sorted by time, which is highly useful for content shot in time order, such as live events. You can also sort by camera, ideal for multicamera shoots where you lay down the wide shot first and then look for cutaways on other cameras. You can even sort by duration and the clip name.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast In and Out Points\u003c\/strong\u003e\u003cbr\u003eThe in and out point buttons are designed large, and a small empty space is provided above them to allow locating them by feel. That helps when doing transport control with your right hand and punching in and out points using your left hand. When you select in and out points in the DaVinci Resolve cut page, you also trim clips. Once the in and out points are set, just reach your fingers up to the edit buttons. The in and out points can also be used to contract the source tape to limit the clips included. Then you can change the source tape back to the whole bin by pressing the Escape key.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntelligent Keyboard Edit Modes\u003c\/strong\u003e\u003cbr\u003eThe editing functions are located just above the in and out keys, to allow a simple movement of your fingers to activate the edit you require. Because editing with a keyboard is quite different to editing on a computer's user interface, the editing functions have been optimised to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself, eliminating time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit or even match timecode. 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Suitable for editors and colourists that need a portable control surface, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary colour-correction tools in the included Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003c\/p\u003e\r\n\u003cp\u003eThe Micro Panel uses a USB 3.0 Type-C interface that allows you to connect to a computer or laptop and power the panel, alleviating the need for a separate power supply. It also interfaces with Mac, Windows, or select Linux systems. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. 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