{"title":"Video -\u003e Lenses -\u003e Cinema Primes","description":"\u003cp\u003eCinema prime lenses are a cost effective way of using industry standard hardware for commercial, creative and experimental shoots. Most cinema lenses come with an ARRI PL locking mount, but some allow mirrorless mounts for compactness.\u003c\/p\u003e","products":[{"product_id":"canon-cn-e-14mm-t3-1-l-f-cinema-prime-lens-ef-mount","title":"Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount)","description":"\u003cp\u003eThe \u003cstrong\u003eCanon CN-E 14mm T3.1 L F \u003ca href=\"https:\/\/www.cameraelectronic.com.au\/video-audio\/video-audio-cameras\/cinema-cameras\" title=\"Cinema Camera Lenses\"\u003eCinema Prime Lens\u003c\/a\u003e\u003c\/strong\u003e is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.cameraelectronic.com.au\/lenses\/for-canon\" title=\"Canon Camera Lenses\"\u003eCanon lens\u003c\/a\u003e offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e\n\u003cp\u003eThe lens is designed to minimise focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water resistant housing to minimise maintenance.\u003c\/p\u003e\n\u003cp\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCovers Full Frame and Super 35 sensors\u003c\/li\u003e\n\u003cli\u003e11-blade iris\u003c\/li\u003e\n\u003cli\u003eFocus breathing minimised to virtually zero\u003c\/li\u003e\n\u003cli\u003eDistance markings on both sides of the barrel\u003c\/li\u003e\n\u003cli\u003eRear markings on an angled surface\u003c\/li\u003e\n\u003cli\u003eSmooth, stepless 300° focus ring\u003c\/li\u003e\n\u003cli\u003eGeared manual iris ring\u003c\/li\u003e\n\u003cli\u003eShares 114mm front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/li\u003e\n\u003cli\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/li\u003e\n\u003cli\u003eDust and water resistant housing\u003c\/li\u003e\n\u003cli\u003eFocus markings can be switched to metric labelling if you send the lens to Canon for modification\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44573925802261,"sku":"CN1431LF","price":6392.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1360588761_img_302885.jpg?v=1680155643"},{"product_id":"canon-cn-e-135mm-t2-2-l-f-cinema-prime-lens-ef-mount","title":"Canon CN-E 135mm T2.2 L F Cinema Prime Lens (EF Mount)","description":"\u003cp\u003eThe\u003cstrong\u003e Canon CN-E 135mm T2.2 L F Cinema Prime Lens\u003c\/strong\u003e is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFull-frame imaging circle\u003c\/li\u003e\r\n\t\u003cli\u003e11-blade aperture diaphragm\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to fulfill 4K production standards\u003c\/li\u003e\r\n\t\u003cli\u003eMarkings on angled surfaces on both sides of the barrel\u003c\/li\u003e\r\n\t\u003cli\u003eFocus markings can be switched from standard labelling to metric\u003c\/li\u003e\r\n\t\u003cli\u003eControl rings engineered to maintain consistent operating torque\u003c\/li\u003e\r\n\t\u003cli\u003eGlass construction counteracts temperature induced marking discrepancies\u003c\/li\u003e\r\n\t\u003cli\u003eShares gear position, diameter, and rotation angle with other CN-E lenses\u003c\/li\u003e\r\n\t\u003cli\u003e114mm front diameter matches other CN-E lenses\u003c\/li\u003e\r\n\t\u003cli\u003eIdeal for Cinema EOS cameras and all EOS DSLRs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44574288806165,"sku":"CN13522LF","price":6110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1572891439_913669_1.jpg?v=1680163352"},{"product_id":"tokina-50mm-t1-5-cinema-vista-prime-lens-e-mount-focus-scale-in-feet","title":"Tokina 50mm T1.5 Cinema Vista Prime Lens (E-Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 50mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an E-mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an E-mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 50mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574308434197,"sku":"KPC-3002E","price":5995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318331_1.jpg?v=1680163513"},{"product_id":"tokina-50mm-t1-5-cinema-vista-prime-lens-ef-mount-focus-scale-in-feet","title":"Tokina 50mm T1.5 Cinema Vista Prime Lens (EF Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 50mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an EF mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 50mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574311874837,"sku":"KPC-3002EF","price":5995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318330_1.jpg?v=1680163533"},{"product_id":"tokina-85mm-t1-5-cinema-vista-prime-lens-e-mount-focus-scale-in-feet","title":"Tokina 85mm T1.5 Cinema Vista Prime Lens (E-Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an E-mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This 85mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an E-mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 85mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574314397973,"sku":"KPC-3003E","price":7899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318334_1.jpg?v=1680163550"},{"product_id":"tokina-85mm-t1-5-cinema-vista-prime-lens-ef-mount-focus-scale-in-feet","title":"Tokina 85mm T1.5 Cinema Vista Prime Lens (EF Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an EF mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This 85mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 85mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574314955029,"sku":"KPC-3003EF","price":7899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318333.jpg?v=1680163567"},{"product_id":"zeiss-cp-3-50mm-t2-1-compact-prime-lens-canon-ef-mount-feet","title":"ZEISS CP.3 50mm T2.1 Cine Lens - EF Mount","description":"\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, \u003cstrong\u003eZEISS\u003c\/strong\u003e's \u003cstrong\u003eCP.3 Compact Prime Lenses\u003c\/strong\u003e offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 50mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 25, 28, 35, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNote: While the CP.3 lenses are designed for a degree of user-serviceability regarding the mount, for ideal performance and calibration, B\u0026amp;H recommends that mount swaps and other lens adjustments be done by a trained lens technician at a service centre.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSignature ZEISS Look\u003c\/strong\u003e\u003cbr\u003e\r\nZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eNew Ergonomic Design\u003c\/strong\u003e\u003cbr\u003e\r\nFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorised gimbal.\u003cbr\u003e\r\nIn the Box\u003cbr\u003e\r\nZEISS CP.3 50mm T2.1 Compact Prime Lens (Canon EF Mount, Feet)\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":44574317805845,"sku":"2177328","price":7260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493117643_1334110_1.jpg?v=1680163592"},{"product_id":"zeiss-cp-3-35mm-t2-1-compact-prime-lens-canon-ef-mount-feet","title":"ZEISS CP.3 35mm T2.1 Cine Lens - EF Mount","description":"\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, \u003cstrong\u003eZEISS's CP.3 Compact Prime Lenses\u003c\/strong\u003e offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 100mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 135mm CP.3 lens while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003cstrong\u003eigna\u003c\/strong\u003e\u003cstrong\u003eture ZEISS Look\u003c\/strong\u003e\u003cbr\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately color-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Ergonomic Design\u003c\/strong\u003e\u003cbr\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":44574318592277,"sku":"2177925","price":7260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493117643_1334109_1.jpg?v=1680163605"},{"product_id":"zeiss-cp-3-85mm-t2-1-compact-prime-lens-canon-ef-mount-feet","title":"ZEISS CP.3 85mm T2.1 Cine Lens - EF Mount","description":"\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, \u003cstrong\u003eZEISS's CP.3 Compact Prime Lenses\u003c\/strong\u003e offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 100mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 135mm CP.3 lens while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003cstrong\u003eigna\u003c\/strong\u003e\u003cstrong\u003eture ZEISS Look\u003c\/strong\u003e\u003cbr\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately color-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Ergonomic Design\u003c\/strong\u003e\u003cbr\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. 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The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Ergonomic Design\u003c\/strong\u003e\u003cbr\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. 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It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e  \u003cp\u003eThe lens is designed to minimize focus breathing, and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus markings on both sides of the barrel, with the rear markings on an angled surface, making it readable form either side of the camera. 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This lens is advanced enough for use with large cameras capable of capturing up to 8K resolution, yet it's also compact for use with smaller mirrorless cameras and in drone and gimbal applications. Support for 8K allows the lens to capture vivid details. Moreover, the lens offers sharpness and color optimized for skin tone to capture subtle emotional expressions.\u003c\/p\u003e\n\u003cp\u003eAside from the reduction in weight, the innovative carbon fiber design provides a rich and modern look. A fast T1.5 aperture ensures low-light performance and an 11-blade iris allows you to achieve impressive bokeh, enabling you to create a sense of dimension and space. The lens incorporates X-coating technology, which effectively controls the reflection of light inside and within the lens itself to create a distinctive look. 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The XEEN CF 85mm T1.5 Pro Cine Lens is tightly color-matched with other lenses in the XEEN CF series and offers a matching 95mm front diameter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull frame cine lens with a lightweight carbon fiber housing\u003c\/li\u003e\n\u003cli\u003eCompatible with large image sensors with 8K capability\u003c\/li\u003e\n\u003cli\u003eCompact enough for use with smaller cameras and use in gimbal and drone applications\u003c\/li\u003e\n\u003cli\u003eT1.5 aperture\u003c\/li\u003e\n\u003cli\u003eX-coating technology\u003c\/li\u003e\n\u003cli\u003e11-blade diaphragm\u003c\/li\u003e\n\u003cli\u003e95mm front diameter\u003c\/li\u003e\n\u003cli\u003eTight color matching between this 85mm lens and lenses of other focal lengths in the XEEN CF series\u003c\/li\u003e\n\u003cli\u003eDual calibrated right- and left-side distance and T-stop scales\u003c\/li\u003e\n\u003cli\u003eLuminous markings for dark environments\u003c\/li\u003e\n\u003cli\u003eSmooth geared focus and aperture controls\u003c\/li\u003e\n\u003cli\u003eFull frame angle of view: 28.4°\u003c\/li\u003e\n\u003cli\u003eSuper 35 angle of view: 19°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Xeen","offers":[{"title":"Default Title","offer_id":44580615029013,"sku":"300088","price":2799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1568215572_1506182.jpg?v=1680269965"},{"product_id":"rokinon-xeen-24mm-t1-5-lens-for-canon-ef-mount","title":"Xeen 24mm T1.5 Lens for Canon EF Mount","description":"\u003cp\u003eXeen 24mm T1.5 Lens for Canon EF Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, this minimizes the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and are color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 24mm lens provides what is considered a wide angle of view on full-frame cameras, and a tighter angle of view on smaller formats.\u003c\/p\u003e\n\u003cp\u003eThe lens features dual sided focus scales marked in feet, with dual sided iris scales. The 11-bladed iris provides a rounded aperture for a natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision when adjusting focus.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThis is a 24mm lens that has an image circle that covers a full-frame sensor. When mounted on a camera with a full-frame sensor it provides you with a wide angle of view.\u003c\/li\u003e\n\u003cli\u003eThe lens features metal construction to withstand the rigors of daily production, and comes with a support foot that can help take strain off your camera's lens port.\u003c\/li\u003e\n\u003cli\u003eDual right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens in the mount, or facing upside numerals.\u003c\/li\u003e\n\u003cli\u003eEach lens in the XEEN series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.\u003c\/li\u003e\n\u003cli\u003eThe common 114mm front diameter allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.\u003c\/li\u003e\n\u003cli\u003eThe non-rotating front allows you to use optional clip-on matte boxes.\u003c\/li\u003e\n\u003cli\u003e\"Clickless\" aperture ring for smooth iris pulls.\u003c\/li\u003e\n\u003cli\u003eA minimum focusing distance of 10\" allows you to get up close to your subject.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Xeen","offers":[{"title":"Default Title","offer_id":44580616175893,"sku":"300012","price":2090.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1439096526_img_515600.jpg?v=1680270075"},{"product_id":"samyang-100mm-macro-t3-1-vdslr-umc-ii-for-canon-full-frame","title":"Samyang 100mm Macro T3.1 VDSLR UMC II for Canon Full frame","description":"\u003cp\u003eUtilizing a multi-layer coating process for consistent color rendition from lens to lens, the Samyang 100mm T3.1 VDSLRII Cine Lens with Macro answers the challenge of assembling a set of lenses over time. The lens comes in Sony E Mount, and it can focus down to 1' providing a 1:1 reproduction ratio for macro photography. It features industry standard geared focus and iris rings that share common position with other Samyang VDSLRII Lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.\u003c\/p\u003e\r\n\u003cp\u003eThis 100mm lens produces a 24.8° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. The 15 glass elements in 12 groups render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 1' from the lens. A removable lens hood provides flare protection when shooting without a matte box, and the lens's threaded front accepts 67mm filter rings.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":44581484134677,"sku":"400036","price":1039.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1513606351_img_918485.jpg?v=1680280611"},{"product_id":"samyang-14mm-t3-1-vdslrii-cine-lens-for-sony-e-mount","title":"Samyang 14mm T3.1 VDSLRII Cine Lens for Sony E-Mount","description":"\u003cul\u003e\r\n\u003cli\u003eOvercoming the challenges in assembling a set of lenses over time, the Samyang 14mm T3.1 Cine VDSLRII Lens for Sony E-Mount covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens to lens. It features industry standard geared focus and iris rings that share a common position with other Samyang VDSLRII Cine lenses. This 14mm lens produces a 115.7°, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11\" from the lens.\u003c\/li\u003e\r\n\u003cli\u003ePlease note that some cameras may require that Shutter Lock be disengaged when using this lens.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":44581491278101,"sku":"400620","price":769.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1640868903_img_480464_1.jpg?v=1680280740"},{"product_id":"laowa-venus-optics-65mm-t2-9-2x-macro-apo-super35-cine-lens-fuji-x","title":"LAOWA 65mm T2.9 2x Macro APO Super35 Cine Lens (FUJIFILM X)","description":"\u003cdiv\u003e\r\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\r\n\u003cp\u003eGet close-up, richly detailed images with your cine-style camera and the Fuji X-mount \u003cstrong\u003e65mm T2.9 2x Macro APO Cine Lens\u003c\/strong\u003e from \u003cstrong\u003eLaowa\u003c\/strong\u003e. This macro lens covers up to Super35 image sensors and features 2:1 magnification, a close focus of 6.7\", and a minimum working distance of 3.1\". A fast T2.9 aperture enables shallow depth-of-field looks, and a 9-blade iris produces soft, round bokeh.\u003c\/p\u003e\r\n\u003cp\u003eTwo apochromatic and three ELD (extra-low dispersion) elements reduce chromatic aberration and distortion, producing optimal imaging across the entire frame. The cine-style lens housing has 0.8 MOD gearing, a front 77mm filter thread gear, and focus marks in both feet and meters. This 65mm macro comes with a hard-shell case.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eSuper35 2:1 Macro Coverage\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eProvides up to 2x macro coverage for Super35 sensor cameras at a 3.1\" minimum working distance\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eFast 2.9 Aperture\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe fast T2.9 aperture enables the creation of shallow-focus looks\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eApochromatic Design\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe 14 elements in 10 groups include two apochromatic and three extra-low dispersion elements for aberration correction, reduced distortion, and immersive details across the entire frame\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eSmooth Bokeh\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSmooth, de-clicked, 9-blade iris produces round, pleasing bokeh\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePro Cine-Style Housing\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe cine-style housing features 0.8 MOD geared focus and 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Title","offer_id":44584962523413,"sku":"VE6529FXC","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1666700272_img_1857784.jpg?v=1680330625"},{"product_id":"laowa-venus-optics-zero-d-s35-7-5mm-t-2-9-cine-lens-fuji-x-feet-meters","title":"LAOWA ZERO-D S35 7.5mm T\/2.9 Cine Lens (FUJI X, Feet\/Meters)","description":"\u003cp\u003eExtremely wide for a Super35 lens, yet without fisheye distortion, the Laowa Zero-D S35 7.5mm T\/2.9 Cine Lens from Venus Optics is a cine lens light enough to fly on a drone and an excellent choice for architectural filming, as it keeps straight lines from warping and parallel lines remain parallel. Fitted with a FUJI X mount, this lens is a seeming contradiction in lens creation; the 7.5mm is both small and lightweight, yet optically fast and sharp. Use the lens with your camera in handheld, tripod, gimbal, stabilizer, or drone configuration for sharp, clear images in dim to bright conditions.\u003c\/p\u003e\r\n\u003cp\u003eWith focus scales marked in both feet and meters, the lens is suitable for anyone without remarking the distances, and the built-in 0.8 MOD rings allow you to easily integrate this lens into your cinema lens accessory setup, as it works with industry-standard follow focus units and lens motors. In addition, the lens accepts optional 77mm threaded filters, which can help protect your front element and improve your images by cutting through UV and glare. The lens comes with front and rear caps, as well as a protective hard case.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe lens offers a 123° angle of view in Super35. The T2.9 maximum aperture allows filmmakers to shoot under low light situations and control the depth of field, making it suitable for shooting in tight spaces or for establishing shots.\u003c\/li\u003e\r\n\u003cli\u003eThe \"Zero-Distortion\" design and construction enables cinematographers to shoot with straight lines without wide-angle or fisheye distortion, extremely useful when shooting architectural, aerial, and indoor footage.\u003c\/li\u003e\r\n\u003cli\u003eThis optical design contains 16 elements in 10 groups, including 2 ED and 2 aspherical glasses for controlling chromatic aberration to the minimum. It renders outstanding and sharp images, which saves a lot of time on post-production.\u003c\/li\u003e\r\n\u003cli\u003eThe relatively short focusing distance of 9.84\" makes it ideal for focusing on close subjects with a strong background bokeh effect.\u003c\/li\u003e\r\n\u003cli\u003eEndowed with a lightweight body, the lens is exceptionally compact and transportable, measuring 3.17\" long and weighing less than 1.4 lb. It can easily fit onto stabilizations systems, including handheld gimbals. It is also built to have a front element that does not extend past the outer barrel, which allows 77mm screw-in filters to be directly attached to the lens barrel, making it even more user-friendly and convenient, especially for aerial cinematography.\u003c\/li\u003e\r\n\u003cli\u003eThe focus and iris rings have built-in 0.8 MOD gears.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":44584966652181,"sku":"VE7529FX","price":1349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1647266441_img_1713197.jpg?v=1680330739"},{"product_id":"tokina-cinema-vista-one-85mm-t1-5-pl-mount-feet","title":"Tokina Cinema Vista One 85mm T1.5 (PL Mount, Feet)","description":"\u003cdiv\u003e\r\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eTokina Cinema Vista One 85mm T1.5 Prime Lens\u003c\/strong\u003e is based on the Cinema Vista series but features a vintage flare that creates soft, beautiful flares with off-axis light sources and transitions to a modern look with on-axis lighting. The limited One line also sports a premium series exclusive space gray finish with white and blue accents. Its PL mount has focus scales marked in feet, providing an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. It has an 85mm focal length and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Cinema Vista and Vista One prime lenses, making on-set lens changes a fast and efficient operation. Its maximum T-stop of 1.5 is useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth of field look.\u003cbr\u003e\u003cbr\u003eThe 9-bladed iris provides round out-of-focus highlights for a soft, natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens has nearly zero focus breathing and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSingle-Coated Front Element\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe high-resolution single-coated modern optics create soft, beautiful flares with off-axis light sources. Transition to a modern look with on-axis lighting.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFull-Frame Coverage\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe 25mm T1.5 PL-mount prime lens can focus images on a sensor with full 8K resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eGray with Blue Accents\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eVista One lenses feature a premium series exclusive space gray finish with white and blue accents. These lenses share a beautiful industrial design made to create a beautiful look both on your camera build and in your images.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSmooth Bokeh\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe use of a 9-blade iris produces a smooth round appearance to out-of-focus specular highlights. The iris also produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLens Markings on Both Sides\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or on either side of the camera.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eConsistent Gearing\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing, especially when pulling focus during a shot.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMinimal Breathing\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIt is designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots where focus breathing is more noticeable.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\r\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e114mm Front Diameter\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe 114mm front diameter is compatible with many pro matte boxes, and the front thread accommodates 112mm screw-on filters.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44585094676757,"sku":"KPC-3003PL","price":7999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1594661827_1571016.jpg?v=1680333592"},{"product_id":"canon-r14mm-t1-3-l-f-cine-lens","title":"Canon R14mm T1.3 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 14mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:3.1\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 104.3° x 81.2°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 82.6° x 52.5°\u003cbr\u003eMinimum Shooting Distance 0.2m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 24.8 x 16.5cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 16.9 x 9.5cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 118.0mm\u003cbr\u003eWeight Approx. 1.3kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47401120891157,"sku":"CN-R14MMT3.1LF","price":7299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/01_02_CNR14mm_Slant.jpg?v=1697447172"},{"product_id":"canon-r20mm-t1-5-l-f-cine-lens","title":"Canon R20mm T1.5 L F Cine Lens","description":"\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003eExpanded functions with RF mount\u003c\/strong\u003e\n\u003cp\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp\u003eMount RF mount\u003cbr\u003eFocal Length 20mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:1.5\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 84.0° x 61.9°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 63.2° x 38.1°\u003cbr\u003eMinimum Shooting Distance 0.3m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 33.8 x 22.5cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 23.1 x 13.0cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 125.5mm\u003cbr\u003eWeight Approx. 1.4kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47401151070485,"sku":"CN-R20MMT1.5LF","price":7299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/02_02_CNR20mm_Slant.jpg?v=1697447928"},{"product_id":"canon-r24mm-t1-5-l-f-cine-lens","title":"Canon R24mm T1.5 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 24mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:1.5\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 73.7° x 53.1°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 54.3° x 32.1°\u003cbr\u003eMinimum Shooting Distance 0.3m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 28.8 x 19.2cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 19.7 x 11.0cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 125.5mm\u003cbr\u003eWeight Approx. 1.3kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47401165095189,"sku":"CN-R24MMT1.5LF","price":6899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/03_02_CNR24mm_Slant.jpg?v=1697448248"},{"product_id":"canon-r35mm-t1-5-l-f-cine-lens","title":"Canon R35mm T1.5 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 35mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:1.5\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 54.4° x 37.8°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 38.7° x 22.3°\u003cbr\u003eMinimum Shooting Distance 0.3m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 20.1 x 13.4cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 13.7 x 7.7cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 125.5mm\u003cbr\u003eWeight Approx. 1.3kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47448497848597,"sku":"CN-R35MMT1.5LF","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/04_02_CNR35mm_Slant.jpg?v=1697614931"},{"product_id":"canon-r50mm-t1-3-l-f-cine-lens","title":"Canon R50mm T1.3 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 50mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:1.3\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 39.6° x 27.0°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 27.6° x 15.7°\u003cbr\u003eMinimum Shooting Distance 0.45m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 24.9 x 16.6cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 17.0 x 9.5cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 125.5mm\u003cbr\u003eWeight Approx. 1.2kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47448512921877,"sku":"CN-R50MMT1.3LF","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/05_02_CNR50mm_Slant.jpg?v=1697615079"},{"product_id":"canon-r85mm-t1-3-l-f-cine-lens","title":"Canon R85mm T1.3 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 85mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:1.3\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 23.9° x 16.1°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 16.5° x 9.3°\u003cbr\u003eMinimum Shooting Distance 0.95m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 34.3 x 22.9cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 23.4 x 13.1cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 125.5mm\u003cbr\u003eWeight Approx. 1.5kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47448542478613,"sku":"CN-R85MMT1.3LF","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/06_01_CNR85mm_FrontSlant.jpg?v=1697615249"},{"product_id":"canon-r135mm-t2-2-l-f-cine-lens","title":"Canon R135mm T2.2 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 135mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:2.2\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 15.2° x 10.2°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 10.4° x 5.9°\u003cbr\u003eMinimum Shooting Distance 1.0m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 21.1 x 14.1cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 14.4 x 8.1cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 139.6mm\u003cbr\u003eWeight Approx. 1.5kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47448559812885,"sku":"CN-R135MMT2.2LF","price":7199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/07_01_CNR135mm_FrontSlant.jpg?v=1697615373"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-sony-e-blue-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Sony E, Blue Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Sony E lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, blue colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favourable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075683299605,"sku":"VE2728SEB","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715881.jpg?v=1710478594"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-fujifilm-x-blue-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (FUJIFILM X, Blue Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Fujifilm X lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, blue colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Fujifilm X lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favourable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075684446485,"sku":"VE2728FXB","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715881_c453fafa-3838-4ad7-a5ff-0c4727d33b03.jpg?v=1710478624"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-canon-rf-blue-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Canon RF, Blue Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Canon RF lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, blue colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Canon RF lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favourable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075693392149,"sku":"VE2728RFB","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715881_3dde0c03-40a8-4109-b7e1-8f6632ad3fdf.jpg?v=1710478812"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-nikon-z-blue-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Nikon Z, Blue Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Nikon Z lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, blue colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Nikon Z lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favourable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075696111893,"sku":"VE2728NZB","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715881_88cbbb86-ffe6-44bb-a798-5d1d26a52c68.jpg?v=1710478876"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-leica-l-blue-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Leica L, Blue Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a L-Mount lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, blue colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The L-Mount lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favourable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075698143509,"sku":"VE2728LB","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715881_0c7a7c6b-ace5-4d4b-97c9-d9763d24b9ad.jpg?v=1710478928"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-micro-four-thirds-blue-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Micro Four Thirds, Blue Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Micro Four Thirds lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, blue colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Micro Four Thirds lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favourable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075700437269,"sku":"VE2728MFTB","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715881_5c948e20-a589-4aa6-a611-745fe9825280.jpg?v=1710478986"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-sony-e-amber-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Sony E, Amber Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Sony E lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, amber colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmber Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmber flares are good for narrative and warm vibes and are less common among cine lenses.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075712823573,"sku":"VE2728SEA","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715880.jpg?v=1710479413"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-fujifilm-x-amber-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (FUJIFILM X, Amber Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Fujifilm X lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, amber colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Fujifilm X lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmber Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmber flares are good for narrative and warm vibes and are less common among cine lenses.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075713478933,"sku":"VE2728FXA","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715880_83ba85cb-bef0-4730-a222-0e9d48512f26.jpg?v=1710479439"},{"product_id":"laowa-nanomorph-27mm-t2-8-1-5x-s35-anamorphic-lens-canon-rf-amber-flare","title":"LAOWA Nanomorph 27mm T2.8 1.5x Lens (Canon RF, Amber Flare)","description":"\u003cp\u003eThis Laowa Nanomorph 27mm T2.8 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Canon RF lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe prime lens has a very short minimum focus distance of 16.9\" and offers anamorphic qualities such as high contrast, amber colour lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Canon RF lens mount is interchangeable and can be swapped out for an optional mount.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConstant 1.5x Squeeze Ratio\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Oval Bokeh\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmber Anamorphic Flare Colour\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmber flares are good for narrative and warm vibes and are less common among cine lenses.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Focus Distance\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 16.9\" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eUnified Gear Position\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003e55mm Filter Thread\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Scales\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth imperial and metric scales are printed on the lens body.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndustry-standard 0.8 MOD gears are installed on both the aperture and focus rings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange Back Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens allows users to adjust the back focus easily.\u003c\/p\u003e","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":48075715084565,"sku":"VE2728RFA","price":1849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1659522046_1715880_9bfb9cc4-fb3e-4208-8530-a886e05d2cff.jpg?v=1710479495"}],"url":"https:\/\/www.cameraelectronic.com.au\/collections\/video-lenses-cinema-primes.oembed?page=2","provider":"Camera Electronic","version":"1.0","type":"link"}