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Note to self: Emulate Julie in the footwear department as well. I chose my old black shop boots with the bovver toecaps for the day, having forgotten what they felt like at 5:00. The way of the future is lighter and better footwear for faster and surer getaways and no pain at the end of the day. As photographers we endure enough pain editing the files...
Note also that Julie is using Canon for the serious stuff. Big camera body, lots of battery, big " L " series lens. Her files will be fabulous and no worries about whether the thing does what she commands it to. That's why they are the specified cameras of so many press agencies and professional shooters. You pays your money and you hauls the weight, but you comes back with the goods.
Note as well that Canon has made their concessions to the success of mirror-less cameras with an increasing range of these types. They started small, and you can compare them to the DSLR bodies that have been the standard of the industry for over a decade...but I guarantee they will grow larger as more professional features and operations are demanded of them. Look at what a little video camera has become...
I got so busy on the day that I missed out on asking Brenda a question I particularly wanted to ask of all the trade and professional people; what camera did they personally choose to use? I don't mean what body was in the studio and used for what pro job - I mean what do they cart around for themselves. I do hope it will not be " just a phone ".
And finally...golly...a 5-year warranty. I didn't even get that with my car.
* Your processing engines.