made a cracker of a mirror-less camera with an APS-C -sized sensor in it - the A6000. Whether coupled with a short zoom or with one of Sony or Zeiss' prime lenses it was just the camera that many travellers and enthusiasts wanted. It also gained somewhat of a following when people wanted to have a portable video shooter - the camera was able to follow action better than many rival mirror-less systems.
Well, they've revamped it with more resolution, more AF capability, and a better viewfinder. There's far more AF points in the sensor and the viewfinder used in continuous shooting/continuous focusing is said to be the best in any mirror-less. This, and the 4K video capability, mean that this may be the best choice for sports and action photographers tending to get away from the larger DSLR cameras.
It wouldn't affect me as my shooting in most cases is done of static subjects in careful set-ups...but there are always dance performances where the ability to track something that is rapidly moving and changing direction would be a real comfort. Currently I get to use an optical viewfinder for the pointing but as my camera is slower in focusing, I need to have preset MF zones rather than exact instant AF. Sometimes it works well and sometimes it is a guessing game.
I would also like the tilting screen of this camera, though one reviewer makes the complaint that it does not tilt enough and does not have touch control.
One odd feature about the A6000 has been continued in the A6300
- the business of charging the camera battery in the body of the camera rather than in an external charger. This has lead to the sale of quite a few external charger blocks for the A6000. Well, the A 6300 is similarly set up. You can top up the battery charge in between major sessions by fining the nearest computer or USB port. But there are times when you might be down and out for this luxury and could do with a good old-fashioned dose of the AC. This is definitely one camera where I would recommend that extra charger and two spare batteries. Fortunately the battery is the standard Sony FP 50 and is not too big.
The business of the 8 FPS continuous shooting with a live frame interposed in the EVF in between each recorded file would seem to give a considerably improved sighting experience. You would not always be seeing what just happened and trying to compensate for subject movement on dated information. The 24 Megapixel sensor is also going to be a help - this level of division is going to become the standard for everything eventually.
Are they here, now? Yes they are - that's the Camera Electronic Sony cabinet in the pictures - hence the Uncle Dick Tick. The lens sitting on this example is pretty well the perfect-choice prime for the camera...certainly we can confidently recommend it as a one and only lens for light tourists and heavy purists. And ever since the Sony company slightly angled the shutter button on the front plate they have been ever so much easier to shoot.
If you'd like to get another person's review of the camera try:
Look one out in the shop or pop over to the on-line shop and grab one:http://cameraelectronic.com.au/products.html?catalog%5Bsearch%5D%5Btext%5D=Sony+A+6300&catalog%5Bsort%5D%5Bon%5D=relevance&x=16&y=16