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Unlock cinematic power without the bulk. The EOS C50 is packed with high end cinema features!
One camera, any job
From documentaries to commercials, YouTube to the big screen, the EOS C50 adapts to your story, not the other way around.
4K 120p and 2k 180p Cinematic slow motion
Capture every detail in breathtaking motion. Whether you're filming a high-energy action sequence or a slow, emotional moment.
Simultaneous dual recording
Dual Pixel CMOS Auto Focus II
Fast, accurate autofocus with intelligent subject tracking and eye detection.
RF lens mount
Delivering lightning-fast communication between camera and lens. Access Canon’s growing lineup of high-performance RF lenses or adapt easily to EF and PL glass for any production need.
32MP stills / 40fps burst mode
Capture stills at speed in photo mode. Pre-continuous shooting of up to 20 shots
14 assignable buttons
Customise and speeden up your workflow with 14 assignable buttons for flexible control
Canon Log 3 and Canon Log 2
Delivers maximum dynamic range for professional colour grading
Pro connectivity
Full-size HDMI and Timecode DIN for seamless integration into professional set ups
Wide range of recording formats
Versatile format support, from lightweight proxy to high-end broadcast-ready
Pair your EOS C50 with RF lenses
Image Processor | DIGIC DV 7 |
Lens Mount | Canon RF mount |
Compatible Lenses | • RF lens (including RF-S lens, RF cinema lens) |
• EF lens (including EF-S lens, EF cinema lens (when equipped the RF-EF mount Adapter)) | |
• PL lens (when equipped the Mount Adapter PL-RF) | |
Image Sensor | |
Sensor | Full frame CMOS sensor |
Number of Total Pixels | Approx. 34.20 megapixels (7144×4790) |
Number of Effective Pixels |
Sensor mode: Full frame 3:2 Approx. 32.373 megapixels (6968×4646): 6960×4640 / 6912×4608 resolution Sensor mode: Full frame Approx. 25.628 megapixels (6968×3678): 6960×3672 /4096×2160 / 2048×1080 resolution Approx. 24.032 megapixels (6534*1×3678): 3840×2160 / 1920×1080 resolution Sensor mode: Super 35mm (Crop) Approx. 13.427 megapixels (5044×2662): 5036×2656 /4096×2160 /2048×1080 resolution Sensor mode: Super 16mm (Crop) Approx. 3.388 megapixels (2532×1338): 2524×1332 /2048×1080 resolution Approx. 3.176 megapixels (2374*3×1338): 1920×1080 resolution *1 Converted from 6968 pixels *2 Converted from 5044 pixels *3 Converted from 2532 pixels |
Unit pixel | 5.16 X 5.16 (μm) |
Effective Sensor Size |
Sensor mode: Full frame 3:2 35.9 x 23.9 mm (43.2 mm on the diagonal): 6960×4640 resolution 35.7 x 23.8 mm (42.9 mm on the diagonal): 6912×4608 resolution Sensor mode: Full frame 35.9 x 18.9 mm (40.6 mm on the diagonal): 6960×3672 /4096×2160 / 2048×1080 resolution 33.6 x 18.9 mm (38.6 mm on the diagonal): 3840×2160 / 1920×1080 resolution Sensor mode: Super 35mm (Crop) 26.0 x 13.7 mm (29.4 mm on the diagonal): 5036×2656 /4096×2160 /2048×1080 resolution 24.4 x 13.7 mm (28.0 mm on the diagonal): 3840×2160 / 1920×1080 resolution Sensor mode: Super 16mm (Crop) 13.0 x 6.9 mm (14.7 mm on the diagonal): 2524×1332 /2048×1080 resolution 12.2 x 6.9 mm (14.0 mm on the diagonal): 1920×1080 resolution |
Color Filter System | RGB primary color filter (Bayer array) |
Dynamic Range |
Sensor mode: Full frame Canon Log 2: 1600% / 15+ stops (Base Sensitivity ISO 800) Sensor mode: Super35mm Canon Log 2: 1600% / 16 stops (Base Sensitivity ISO 800) |
LCD Screen | |
Type | Color wide LCD monitor |
Screen size | 3.0 inch (diagonal 7.5 cm) |
Number of dots | Approx. 1.62 million dots (900xRGBx600) |
Field of view coverage | 100% |
Adjustment function | “Brightness, Contrast, Color, Sharpness, Luminance* * A luminance boost function is also available that makes LCD monitor display easier to see outdoors and in other bright conditions.” |
Touch panel | Electrostatic capacitance system. Touch/drag operation supported. |
Network specifications | |
Ethernet | |
Standards compliance: Follows the specifications of the Ethernet adapter | |
Wi-Fi | |
Supported standards: IEEE802.11b /g /n (2.4 GHz) IEEE802.11a / n / ac (5 GHz) Setup: Infrastructure (WPS: push button method, WPS: PIN code method, access point, manual configuration), Camera access point Security: Open, Shared key, WPA/WPA2/WPA3-Personal, WPA/WPA2/WPA3-Enterprise • Encryption: TKIP, AES |
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IP streaming | |
Compression method | MPEG-4 H.264/AVC |
Bit rate/Resolution | 9 Mbps: 920×1080 (59.94P, 59.94i, 50.00P, 50.00i) 4 Mbps: same as above |
Audio | MPEG-2 ACC-LC 2ch |
Audio rate | 256 kbps |
Protocols | UDP: Prioritizes transfer speed, with no guarantees of reliability or correct order. Lost or lagging packets ignored. RTP: Standard system for sending videos and audio online. Lost or lagging packets ignored. SRT: Achieves high-quality streaming with minimal video distortion due to low latency and a packet loss playback function. RTP+FEC: Error correction (FEC)* control during RTP transfer enables recovery of lost or corrupt packets on the receiving side. RTSP+RTP: Real-time data streaming control via RTSP (Real Time Streaming Protocol) and transfer via RTP. The receiving side can start or stop streaming. |
Input / Output terminal | |
Input Terminal | |
Camera | |
MIC Terminal | Φ3.5 mm stereo mini jack (Unbalanced, plugin power supported) |
MIC | Input impedance | 1.5 kΩ | |
Sensitivity | -72 dBV (Volume auto, Full scale – 18 dB) | ||
ATT | 20 dB | ||
Supply voltage | DC 2.0 V (Bias resistor 2.2 kΩ) | ||
LINE | Input impedance | 10 kΩ | |
Sensitivity | -12 dBV (Volume center, Full scale – 18 dB) | ||
Type E3, Φ2.5 mm, stereo mini jack | |||
Handle unit | |||
XLR 3 pin jack (Balanced) (1) Shield, (2) Hot, (3) Cold) | |||
MIC | Input impedance | 1.2 kΩ | |
Sensitivity | -60 dBu (Volume center, Full scale – 18 dB) | ||
ATT | 20 dB | ||
LINE | Input impedance | 10 kΩ | |
Sensitivity | +4 dBu (Volume center, Full scale – 18 dB) | ||
Output Terminal | |||
HDMI connector (Type A) Time codes can be superimposed (original standards) | |||
Video/Audio Output | According to HDMI specifications. | ||
Φ3.5mm stereo mini jack | |||
Output impedance | 50 Ω or lower | ||
Output signal level | -17 dBV (32 Ω load, maximum volume) | ||
Output Terminal | |||
USB Type-C® jack Can be used to connect a smartphone or Ethernet adapter. USB Video Class and USB Audio Class (UVC and UAC) are supported. In-camera charging and power supply are possible with USB Power Adapter PD-E2. With an Ethernet adapter: equivalent to SuperSpeed USB (USB 3.2 Gen 1) In other cases: equivalent to SuperSpeedPlus USB (USB 3.2 Gen 2) |
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DIN1.0/2.3 jack terminal | |||
Input | Input impedance: 100kΩ | ||
Signal level: 0.5-4.5 Vp-p | |||
Output | Output impedance: 50Ω | ||
Signal level: 1.3 Vp-p |
Power Source | |||
Battery terminal: DC 7.2 V (battery pack) | |||
LP-E6P (provided with camera) /LP-E6NH* | |||
*Lenses that do not operate when powered by LP-E6NH or DR-E6C only in VIDEO mode | |||
EF28-70mm F3.5-4.5 | EF50mm 1.0L USM | EF28-80mm F2.8-4L USM | |
EF1200mm F5.6L USM | EF24mm F2.8 | EF100mm F2 USM | |
EF 200mm F2.8 L | EF200mm F2.8L II USM | EF100-200mm F4.5A | |
EF35-80mm F4-5.6 PZ | EF35-80mm F4-5.6 | EF80-200mm F4.5-5.6 | |
EF75-300mm F4-5.6 IS USM | EF80-200mm F4.5-5.6 II | EF75-300mm F4-5.6 II | |
EF28-80mm F3.5-5.6 | EF35-135mm F4-5.6 USM | EF100-300mm 4.5-5.6 USM | |
EF70-210mm F3.5-4.5 USM | EF35-105mm F4.5-5.6 | EF75-300mm 4-5.6 | |
EF35-350mm 3.5-5.6L USM | EF28-70mm 2.8L USM | EF20-35mm 3.5-4.5 USM | |
EF70-200mm F2.8L USM | EF24-85mm 3.5-4.5 USM | EF20mm F2.8 USM | |
EF85mm F1.8 USM | EF400mm F5.6L USM | EF135mm F2L USM | |
EF300mm F4L IS USM | EF35-80mm F4-5.6 USM | EF75-300mm F4-5.6 USM | |
EF75-300mm F4-5.6 II USM | EF28-80mm F3.5-5.6 III USM | EF28-80mm F3.5-5.6 IV USM | |
EF55-200mm F4.5-5.6 USM | EF28-80mm F3.5-5.6 V USM | EF75-300mm F4-5.6 III USM | |
EF28-80mm F3.5-5.6 II | EF28-90mm F4-5.6 USM | EF28-90mm F4-5.6 | |
EF28-105mm F4-5.6 USM | EF90-300mm 4.5-5.6 | EF28-90mm F4-5.6 II USM | |
EF70-300mm F4-5.6 IS USM | EF35mm 1.4L USM | EF400mm F2.8L IS USM | |
EF85mm F1.2L II USM | EF28-135mm 3.5-5.6 IS USM | EF100-400mm F4.5-5.6L IS USM | |
EF70-200mm F4L USM | EF16-35mm F2.8L USM | EF24-70mm F2.8L USM | |
EF17-40mm F4L USM | EF70-300mm 4.5-5.6 DO IS USM | EF70-200mm F4L IS USM | |
EF16-35mm 2.8L II USM | EF8-15mm F4L FISHEYE USM |
Media Overview | ||
SD Card | Cfexpress Card | |
Type | SD, SDHC, SDXC | CFexpress 2.0 Type B |
Number of slots | 1 | 2 |
Speed class / VPG | Speed class: C6, C10 UHS speed class: U1, U3 Video speed class: V30, V60, V90 | VPG 400 |
File system | SD card (~2GB): FAT12, 16SDHC card (up to 32GB): FAT32SDXC card (exceeds 32GB to 2TB): exFAT File division units: FAT32 is 4GB exFAT is none Maximum of 9 file divisions per clip (FAT32 only) | CFexpress(~8TB): exFAT |
Maximum number of clips per media | RAW / XF-AVC / XF-HEVC S, XF-AVC S: 999 | |
Recorded data | Movie: XF-AVC, XF-AVC S, XF-HEVC S (CFexpress card may be used only by recording format, etc.) Photo: JPEG Audio: WAV Other: custom pictures, metadata, and menu settings | Movie: RAW, XF-AVC, XF- HEVC S, XF-AVC S Audio: WAV Other: custom pictures and metadata |
Shutter | |||||||
Shutter mode | Electronic shutter | ||||||
Shutter Speeds | 1/16000*1*2 –30 sec., bulb * 1 Up to 1/8000 sec. when set to HDR mode, focus bracketing, or same exposure for new aperture (ISO speed/ Shutter speed, Shutter speed). *2 1/10000 and 1/12800 sec. can also be selected. |
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X-sync Speed | Not provided | ||||||
System frequency/Frame rate | |||||||
Shutter manual mode | 59.94 Hz | 24.00 Hz | 50.00 Hz | ||||
59.94P / 59.94i | 29.97P | 23.98P | 24.00P | 50.00P/50.00i | 25.00P | ||
Speed1 | 1/3-stop increments | 1/1 ~ 1/2000 (34 setting options in total) | |||||
1/4-stop increments | 1/1 ~ 1/2000 (59.94 Hz/24.00 Hz: 47 setting options in total, 50.00 Hz: 45 setting options in total) |
Angle1 | 360°, 240°, 180°, 120°, 90°, 60°, 45°, 30°, 22.5°, 15°, 11.25° Also angle values equivalent to the following shutter speeds: 1/120, 1/100, 1/60, 1/50, 1/40, 3/100, 1/30, 1/25 | |||||||
Clear Scan1 | Approx. 24–2000 Hz Within the above range, the frequency can be set with the minimum available resolution depending on the sensor mode and frame rate. | |||||||
Slow2 | 1/4, 1/8, 1/15, 1/30 | 1/4, 1/8, 1/15 | 1/3, 1/6, 1/12 | 1/3, 1/6, 1/12, 1/25 | 1/3, 1/6, 1/12 | |||
Off1 | 1/60 | 1/30 | 1/24 | 1/24 | 1/50 | 1/25 | ||
1When slow & fast motion recording is activated, available setting options will vary depending on the selected shooting frame rate. 2Not available when slow & fast motion recording is activated. |